BRUNO SCHULZ MITYZACJA RZECZYWISTOCI PDF

  • June 17, 2019

As we all know by now, the reception of Bruno Schulz’s work is a long story, vast in scope. 37 B. Schulz, Mityzacja rzeczywistości, in Opowiadania, p. famous essay Mityzacja rzeczywistosci [The Mythization of Reality], nMityzacja rzeczywistosci, in Bruno Schulz, Proza (Krakow: Wydawnictwo. Literackie. 2 “Poezja – to są krótkie spięcia sensu między słowami, raptowna regeneracja pierwot-nych mitów.” Schulz, Bruno: “Mityzacja rzeczywistości”. In: Schulz, B. and .

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At bottom, both one and the other have the same aim. The word itself, mityzwcja to its own devices, gravitates towards meaning. The life of the word and its development have been set on new brujo, on the tracks of practical life, and subjected to new notions of correctness. Philosophy is really philology, the creative exploration of the word.

The thousandfold yet integral organism of the word was torn into individual phrases, into letters, into colloquial speech and in this new form, applied to practical needs, it has come down to us as an organ of understanding.

The word in its colloquial, present-day meaning is now only a fragment, a rudiment of some former, all-encompassing, integral mythology. Meaning is the element which bears humanity into the process of reality. Poetry re-cognizes the lost meanings, restores words to their proper place, and links them according to their ancient denotations.

The Mythologization of Reality English The essence of reality is meaning.

But the elements which it uses in construction have been used once before, have come from forgotten and shattered ‘stories’. Poetry re-cognizes the lost meanings, restores words to their proper place, and links them according to their ancient denotations.

There is not even one of our ideas that is not derived from mythology, a mythology that has been transformed, mutilated, remoulded. The life of the word resides in the fact that it tenses and strains to produce a thousand associations, like the quartered body of the snake of schlz, whose separate pieces sought each other in the rzeczhwistoci. The human spirit is tireless in its glossing of life with the aid of myths, in its ‘making sense’ of reality.

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The mythologization of the world has not yet ended. We use cookies to ensure that we give you the best experience on our website. The essence of reality is meaning.

For that reason, every kind of poetry is an act of mythologization and tends to create myths about the world.

The image is also an offshoot of the original word, the word which was not yet a sign, but a myth, a story, or a meaning. But knowledge, too, is nothing more than the construction of myths about the world, since myth resides in its very foundations and we cannot escape beyond myth. It seeks schhlz meaning on the heights and scaffolding of its artificial mounds. The isolated, mosaic-type word is a later product, is the result of technique.

The life of the word and its development have been set on new tracks, on the tracks of practical life, and subjected to new notions of correctness.

Poetry arrives at the meaning of the world anticipando, deductively, on the basis of great and daring short-cuts and approximations. The process has merely been restrained by the development of knowledge, has been pushed into a side channel, where it lives without understanding its true meaning.

Every fragment of reality lives due to the fact that it partakes of some sort of universal meaning. Poetry is the short-circuiting of meaning between words, the impetuous regeneration of bruon myth. At present we consider the word to be merely a shadow of reality, its reflection.

Bruno Schulz | Open Library

But when in some way the injunctions of practice relax their strictures, when the word, released from such coercion, is left to its own devices and restored to its own laws, then a regression takes place within it, a backflow, and the word then returns to its rzeczywistovi connections and becomes again complete in meaning – and this tendency of the word to return to its nursery, its yearning to revert to its origins, to its verbal homeland, we term poetry.

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The process has merely been restrained by the development of knowledge, has been pushed into a side channel, where it lives without understanding its true meaning. The image is also an offshoot of the original word, the word which was not yet a sign, but a myth, a story, or a meaning.

The process of making sense of the world is closely connected with the word.

Schulz, Bruno: Mityzacja rzeczywistości

There is not even one of our ideas that is not derived from mythology, a mythology that has been transformed, mutilated, remoulded. This is Info-Poland’s cache of http: In the hands of the poet, the word, as it were, comes to its senses about its essential meaning, it flourishes and cshulz spontaneously in keeping with its own laws, and regains its integrity.

Knowledge tends to the same inductively, methodically, taking the entire material of experience into account. It cannot be derived from other givens. Poetry is the short-circuiting of meaning between words, the impetuous regeneration of primordial myth. To name something means to include it in some universal meaning. In the hands of the poet, the word, as it were, comes to its senses about its essential meaning, it flourishes and develops spontaneously in keeping with its own laws, and regains its integrity.

Nienazwane nie istnieje dla nas. Why something should appear meaningful to us is impossible to define. It cannot be derived from other mityzacha. The process of making sense of the world is closely connected with the word. The original word was an hallucination circling the light of meaning, was the great universal totality.