• June 16, 2019

Lip Flexibilities ** For All Brass Instruments ** Bai Lin ** Full Score – Study ** Performing Ensemble: Trumpet Unaccompanied ** Instrumentation: Brass ** Item . View and download Bai-Lin(1).pdf on DocDroid. Description. This Professor of Trumpet at the Central Conservatory in Beijing, China has composed an extraordinarily well organized page book of flexibility .

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Overall these are both great books, and well worth studying. In his introduction, Hilliard provides some valuable insight into the art of playing beautiful slurs.


A Progressive Method of Flexibility Exercisesnewly revised and published by Meredith Music cover image linked from http: This will avoid hurting your embouchure or learning to play incorrectly. You are commenting using your WordPress. We will not publish your email.

As with all lip slurs, the level of difficulty varies widely depending on the level of execution. Next is to start flexobilities half step up from the beginning of the exercise on T23, working my way up to T0.

Discovering kin right approach to the peculiarities of each exercise will maximize both the enjoyment and benefits of this book.


Special thanks go to Fldxibilities Helman for pointing out this publication to me. The exercises begin simply with half-note and quarter note slurs, beginning on open notes and moving downward through the harmonic series. Combined with effective practice and thoughtful instruction, lip slurs can be used to develop tone, technique, range, and more! Dynamic and tempo markings are not included, but I would assume that these should be added and freely altered depending upon your own needs and capabilities.

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Lip Flexibilities (Bai Lin)

Facebook Twitter Reddit Print Email. Though written by a trumpet player, as the title suggests the exercises contained here are beneficial on all brass instruments. By continuing to use this website, you agree to their use. Notify me of new posts via email. The following HTML tags can be used in the comment field: EtudesRepertoireReviewsTechnique.

Lip Flexibilities (Bai Lin) — Balquhidder Music

He also has a very informative website about the history of horn playing in Los Angeles. If you feel your embouchure is tiring or is uncomfortable, you should choose an easier section to practice.

Briefly, some of the benefits of practicing lip slurs include:. Do not attempt to play in too high a register. Briefly, some of the benefits of practicing lip slurs baai Manipulating the air stream is key, not only in hitting the pitch but also in voicing each note with a full and ringing sound.


Always try to produce your most beautiful tone.

For horn flexibilitids, the book would make a fine supplement for developing accuracy and flexibility in the high range the lowest pitch is an f-sharp below the staff. Though ubiquitous in method and etude books for brass instruments, these two publications really cover the topic in a progressive, systematic way. During practice sessions your embouchure, throat and tongue should be naturally relaxed and flexible.

Bai-Lin(1).pdf – DocDroid

You are commenting using your Facebook account. Worth area, and has published numerous articles in The Horn Call.

Cancel reply Your name, email address, and comment are required. This site uses cookies. The air should be fluent and steady consistent. I start out each as written on the open F horn, extending down to the fingering, then continue down using the B flat horn, down to T In his Preface, Professor Lin offers some excellent words of advice for practicing lip slurs — or anything else.